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The
Italian libretto of Turandot is copyright 1926 by G. Ricordi
& Co. The inclusion of the text of the aria - a long accompanied solo song in an opera
- "Nessun dorma"
is a quotation for the purpose of illustration and commentary, as
permitted by the fair use doctrine of U.S. copyright law.
Giacomo Antonio
Domenico Michele Secondo Maria Puccini
History: Born December
22, 1858 and died November 29, 1924.
An Italian
composer whose work, included La Bohème,
Tosca, and Madame Butterfly and are performed
often around the World.
Some of his arias, such as
"O mio babbino caro" from Gianni Schicchi, "Che
gelida manina" from La Bohème, and "Nessun dorma"
from Turandot, have become part of popular
culture.
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Nessun dorma, nessun
dorma ... Tu pure, o Principessa, Nella tua fredda stanza, Guardi le stelle Che tremano d'amore E di speranza. |
Ma il mio mistero è
chiuso in me, Il nome mio nessun saprà, no, no, Sulla tua bocca lo dirò Quando la luce splenderà, Ed il mio bacio scioglierà il silenzio Che ti fa mia. |
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Chorus
Il nome suo nessun
saprà E noi dovrem, ahimè, morir. |
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Le Principe
Dilegua, o notte! Tramontate, stelle! All'alba vincerò! vincerò!
vincerò!
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Listen
to Puccini - Puccini's Operatic Nessun Dorma - Turandot - Carreras - Italian -
Translation - No One Sleeps
The Prince
Sings
No one sleeps, no one
sleeps...
Even you, o Princess,
In your cold room,
Watch the stars,
That tremble with love
And with hope. |
But my secret is
hidden within me;
My name no one shall know, no, no,
On your mouth I will speak it
When the light shines,
And my kiss will dissolve the silence
That makes you mine. |
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Chorus
No one will know his
name
And we must, alas, die.
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The Prince
Vanish, o night!
Sunset, stars!
At daybreak, I shall conquer! Conquer!
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The
Opera
- A dramatic work in which all or most of the text is set to music. Opera
first originated in Florence in the early 17th century as the result of attempts to revive Greek tragedy and to reproduce its musical elements. These became the aria, recitative, and chorus of operatic convention. The earliest opera still in the modern repertory is
Monteverdi’s Orfeo (1607). Opera Seria is the Italian style of opera developed by such composers as
Scarlatti and Handel and characterized by a heroic or mythological plot.
Opera Buffa is a form of comic opera containing some spoken dialogue. It developed in the early 18th century and was originally performed between the acts of opera
Seria.
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At the end of the 18th century Mozart perfected
Opera Buffa. In the early 19th century the influence of Romanticism gave rise to the works of Weber and Meyerbeer, while the Italian
Bel Canto tradition was maintained by Bellini, Rossini, and Donizetti. In the mid-19th century the musical and dramatic elements of opera were combined by Wagner in his opera cycle Der Ring des Nibelungen (1869–76) and his subsequent operas. Verdi extended the emotional and dramatic range of Italian opera. The realism of Bizet’s Carmen (1875) influenced Leoncavallo, Mascagni, and
Puccini. In the 20th century a wide variety of operatic styles have flourished, including the dramatic realism of Janácek and the neoclassicism of Stravinsky.
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